Print Prestige?
Tldr: What really matters is connecting to our readers. And you can’t connect to people if they can’t even read your work.
There are three major Speculative Fiction periodicals in the USA that still print on dead trees – Asimov’s, F&SF, and Analog. They’ve been around for a very long time, and due to their longevity and physical presence, they are considered the most prestigious to be published in. Most of the authors I know want to be published in them more than anywhere else, and send their new works to them first.
I respect this and I’m impressed when friends make sales to them.
But they are not my first choice for publication. None of them are even in my Top 3. Because when I get published in a print magazine NONE OF THE PEOPLE I LOVE CAN READ MY STORY!
It isn’t easy getting a copy of one of these magazines. I have to find a Barnes & Noble in my area (or one of the very rare non-B&N brick-and-mortar bookstores), root around in the neglected corners of their hidden magazine racks for a half hour (seriously, the SF lit stuff is almost impossible to find), only to find out that the June Issue of the magazine doesn’t actually come out in June!! (wtf print publications?) I’m too late! Then I find out I have to pay an amount approaching the cost of many eBooks for what is in effect a single short story, since I don’t care about any of the other stuff in there. And then on top of all that, I’m doing all this for a story I haven’t even read yet. I may not even LIKE it!
And no, I can’t buy an e-copy of a single issue, at least not without spending a half hour trying to figure out how to do that without buying a full-year’s subscription as well, and I’m not gonna be hassled into that.
So, how many authors am I willing to go through this process for? Exactly three: Chiang, Watts, and Dickinson.
I hate that I can’t recommend some of my favorite stories to my friends, because there’s no way for them to read them. I didn’t bother posting about “Three Bodies at Mitanni” at /r/rational, because how would anyone there get to read it anyhow? I have the same problem with “Liking What You See”. I am insanely happy that I can recommend “The Things” to everyone, because that’s available online! I do so all the time, and it always makes me all excited inside, imagining what they’ll be feeling the first time they read it.
For that reason I generally go with the online publications first, whenever I can. Clarkesworld, Lightspeed, Tor.com, Apex, Beneath Ceaseless Skies. If I get published in one of these, I can actually link to it. I can tell my friends, my family, my podcast listeners, and even the sometimes the guys on /r/rational, that I have written something, and here it is! Come take a look! :) I can’t do that with the Big Three paper publications.
Perhaps even more to the point – paper disappears quickly. It’s on the shelves for one month, and then it’s gone forever. The internet offers some modicum of permanency. Your story will still be available for people to read after two months, or two years, or even fifteen years later!
So yes. I respect the prestige of the paper publications. I am honored to have been in one. But I think that given another decade, maybe two at the absolute outside, paper and subscriptions will lose their luster. More and more authors choose to have their works appear in the free-to-read online publications whenever they can. Because for most of us, what really matters is connecting to our readers. And you can’t connect to people if they can’t even read your work.
All of which is to say - now that the rights for the story I sold to Asimov’s have reverted to me, I’ve put it online so that people can read it.
Although I will give print publications this – they are willing to look at works longer than 7,500 words. It is really hard trying to find a home for anything longer than that online. :(